Thursday, November 14, 2019
Sonnet 64 of Spencers Amoretti Essay -- Spencer Amoretti Essays
Sonnet 64 of Spencer's Amoretti     Ã     Ã  Ã  Ã  Ã   Poets,  in general, are fond of symbolism and figures of speech.Ã   Instead of  wallowing in the concrete and the obvious, it has always been the purpose of the  poet to give "... to aery nothing a local habitation and a name."Ã   The  writers of love poetry are especially fond of imagery, metaphors, and similar  devices, comparing their loved ones to such and such an animal or cosmic  event.     Ã       Ã  Ã  Ã  Ã  Ã   It is therefore of no  surprise that 16th century sonnets employ many figures of speech when  elaborating on the finer points of the subject.Ã   Spenser, throughout his  masterful Amoretti, is especially effective at drawing forth emotions;Ã    from feelings of despair (employing symbols of storms and lost ships), through  to feelings of passion (and symbols of fertility and love, such as flowers), and  eventually even transcending mere mortal flesh and glorifying the sensual spirit  of his love, Spencer's use of symbolism and figures of speech not only remains  constant and sure, but also create an effective mood and set the proper  tone.Ã        Ã       Ã  Ã  Ã  Ã  Ã   His 64th sonnet is a fine  example of well used symbolism, where his love is compared to a ripe and  blooming garden, resplendent with glorious scents and flowers.Ã   More  importantly, perhaps, the sonnet also draws from a powerful Biblical background,  drawing from the Song of Solomon (4.10-14).     Ã       Ã  Ã  Ã  Ã  Ã   After various troubles and  desires and challenges, Spenser finally gets a much desired kiss from his  love.Ã   And as he draws in towards the woman's lips...     Ã       "Me seemd I smelt a gardin of sweet floweres     Ã  That dainty odours from them threw around     Ã  For damzels fit to decke their lovers bowres."     Ã       Ã  Ã  Ã  Ã  Ã   Her s...              ...'s Amoretti, and of 16th century  literature in general.Ã   His use of symbols and of figures of speech not  only evokes emotions, but creates the tone for the entire poem.Ã   More  importantly, however, was his mastery of the form; by being one of the true  masters of his time, he not only gained immortality, he gained the ability to  influence the poets of today, and help them in their quest to impress their  friends, their teachers, and most importantly,... their lovers.     Ã       Ã       Sources Cited     Ã       Spenser, Edmund.Ã   "Sonnet 64." in Norton  Anthology.Ã   Ed. M.H. Ã  Ã  Ã   Abrahms.Ã   New York: Norton,  1993.Ã   735.     Ã       Shakespeare, William.Ã   "A Midsummer's Night Dream" in  The Riverside Shakespeare.Ã   Ed. G.B. Evans.Ã   Boston: Houghton Mifflin  Company, 1974.Ã   242.     Ã       "Solomon's Song." in The Holy Bible.Ã   New York: The  World Publishing Company.Ã   587.     Ã                      Sonnet 64 of Spencer's Amoretti Essay --  Spencer Amoretti Essays  Sonnet 64 of Spencer's Amoretti     Ã     Ã  Ã  Ã  Ã   Poets,  in general, are fond of symbolism and figures of speech.Ã   Instead of  wallowing in the concrete and the obvious, it has always been the purpose of the  poet to give "... to aery nothing a local habitation and a name."Ã   The  writers of love poetry are especially fond of imagery, metaphors, and similar  devices, comparing their loved ones to such and such an animal or cosmic  event.     Ã       Ã  Ã  Ã  Ã  Ã   It is therefore of no  surprise that 16th century sonnets employ many figures of speech when  elaborating on the finer points of the subject.Ã   Spenser, throughout his  masterful Amoretti, is especially effective at drawing forth emotions;Ã    from feelings of despair (employing symbols of storms and lost ships), through  to feelings of passion (and symbols of fertility and love, such as flowers), and  eventually even transcending mere mortal flesh and glorifying the sensual spirit  of his love, Spencer's use of symbolism and figures of speech not only remains  constant and sure, but also create an effective mood and set the proper  tone.Ã        Ã       Ã  Ã  Ã  Ã  Ã   His 64th sonnet is a fine  example of well used symbolism, where his love is compared to a ripe and  blooming garden, resplendent with glorious scents and flowers.Ã   More  importantly, perhaps, the sonnet also draws from a powerful Biblical background,  drawing from the Song of Solomon (4.10-14).     Ã       Ã  Ã  Ã  Ã  Ã   After various troubles and  desires and challenges, Spenser finally gets a much desired kiss from his  love.Ã   And as he draws in towards the woman's lips...     Ã       "Me seemd I smelt a gardin of sweet floweres     Ã  That dainty odours from them threw around     Ã  For damzels fit to decke their lovers bowres."     Ã       Ã  Ã  Ã  Ã  Ã   Her s...              ...'s Amoretti, and of 16th century  literature in general.Ã   His use of symbols and of figures of speech not  only evokes emotions, but creates the tone for the entire poem.Ã   More  importantly, however, was his mastery of the form; by being one of the true  masters of his time, he not only gained immortality, he gained the ability to  influence the poets of today, and help them in their quest to impress their  friends, their teachers, and most importantly,... their lovers.     Ã       Ã       Sources Cited     Ã       Spenser, Edmund.Ã   "Sonnet 64." in Norton  Anthology.Ã   Ed. M.H. Ã  Ã  Ã   Abrahms.Ã   New York: Norton,  1993.Ã   735.     Ã       Shakespeare, William.Ã   "A Midsummer's Night Dream" in  The Riverside Shakespeare.Ã   Ed. G.B. Evans.Ã   Boston: Houghton Mifflin  Company, 1974.Ã   242.     Ã       "Solomon's Song." in The Holy Bible.Ã   New York: The  World Publishing Company.Ã   587.     Ã                        
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